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Title: ArtReview: December 2011
‘The larger thrust of Singh’s gaming with time and space is an absolute, though not negative, refutation of the idea of human progress’, writes Martin Herbert in ArtReview’s December cover story. From The Marque of the Third Stripe, Singh’s breakthrough work from 2008, to an alternative creation myth the artist is currently writing as a play featuring the Nesquik chocolate bunny and a character named Charles Ray, ArtReview looks at a difficult-to-categorise body of work.
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Title: ArtReview: Multiple
is a 50-page introduction and guide to collecting art made in series, from prints and photography, to sculpture, design objects and bookworks.
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Title: November 2011
The tenth annual ranking of the contemporary art world’s most powerful players returns to ArtReview. More than just a list of individuals, the Power 100 documents the world of influences shaping the art that we see.
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Title: October 2011
Tacita Dean discusses everything but her plans for the Tate Turbine Hall – an oblique approach to the subject at hand that mirrors much of her filmwork. By Sally O’Reilly ArtReview grapples with the descriptive ‘prescient’ in addressing the provocations of vandalism, destruction and looting offered up by Josephine Meckseper’s vitrines. By Jonathan T.D. Neil Rashaad Newsome headlines the Marlborough Gallery’s ambitious new programme for its Chelsea branch. By David Everitt Howe Los Angeles rolls out Pacific Standard Time and declares: an art capital is born. By Andrew Berardini
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Title: September 2011
As Marc Camille Chaimowicz experiences a fresh surge of attention, a former student discusses the artist’s work and finds aerial eroticism, Jean Genet and tinsel in a practice ‘that contains love and affection, as well as being an introspective place with seeming narratives of complicated sexuality’. By Neal Brown
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Title: Summer 2011
What’s an Israeli artist doing in the Venice Biennale’s Polish Pavilion? The answer resides in Yael Bartana’s recently completed film trilogy, which uses propaganda-film aesthetics, political commentators as actors and the building of a kibbutz in a Warsaw suburb to consider Jewish history – past and present, in and out of Poland – in widescreen form.
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Title: May 2011
The multimedia output of Matthew Day Jackson unpicks the pleasures and pains of the American Dream, then restitches them into his own unique portrait of postwar American history. On the eve of his first major London show, ArtReview caught up with him in his Brooklyn studio in an attempt to find out what the artist is all about.
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Title: April 2011
As a London exhibition bestows the label ‘era defining’ on New York performance artist Laurie Anderson, ArtReview wires itself in for a morning of ventriloquism, conspiracy theories and the presidential ambitions of a blowhard named Bergamot.
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Title: March 2011
As Bruce Springsteen once said, ‘Mama always told me not to look into the eye of the sun/But mama, that’s where the fun is’. Twenty-three artists to watch out for in the coming year, as recommended by ArtReview’s panel of artists (Dara Birnbaum, Nigel Cooke, Ryan Gander, Susan Hefuna, Heidi Specker, Diana Thater), curators (Adam Budak, Elena Filipovic, Andrew Hunt, Stefan Kalmár, Jamie Kenyon, Kathy Noble, Beatrix Ruf, Bart van der Heide, Gavin Wade) and critics (Oliver Basciano, J.J. Charlesworth, Tyler Coburn, Martin Herbert, Laura McLean-Ferris, Jonathan T.D. Neil, Chris Sharp, Christian Viveros-Fauné). Now in its seventh edition, ArtReview’s annual stargaze asks what – if anything – it means to dub someone a ‘great’ artist. In association with EFG International
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Title: January and February 2011
Erwin Wurm can make a madcap sculpture in a minute, but it takes longer to appreciate that beneath his slapstick world – where you’ll find yourself blinded by giant police helmets or confronted with grotesquely corpulent cars and people spitting in soup – lies a serious critique of society. As he says, ‘It’s always best when it’s hurting and it’s cynical and it’s not nice’.
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