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Title: January February 2010
Is he a Homer for our times? This month legendary LA artist Paul McCarthy publishes Pig Island, a 164-page artist project produced in partnership with Havaianas and exclusively for ArtReview, documenting the past five years of his work (copies available to print subscribers and on the newsstand; all new print subscriptions will include Pig Island as a special gift, or single copies may be purchased here).
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Title: December 2009
In a special issue marking six decades in publication, ArtReview looks back at the history of the magazine, from black-and-white tabloid newspaper to today’s glossy edition, focusing on key movements, artists and critics (among them Lawrence Alloway, Reyner Banham and Peter Fuller) from each decade and including reproductions of some of the best articles. The first issues of ArtReview (or Art News and Review, as it was then titled) featured artists’ self-portraits on the cover. In tribute to this, the anniversary issue features a portfolio of self-portraits by artists, photographers and critics who have contributed to the magazine over the last four years. We also focus on the evolving role of art magazines more generally, looking back at the past 60 years and speculating on the role art magazines may play in the coming decades.
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Title: November 2009
ArtReview’s 2009 guide to the most powerful people in contemporary art comes on the heels of a year of extraordinary financial stress. Previous No. 1s have plummeted, and a new generation of highly networked, flexible, globetrotting curators is bubbling up. With almost a third of entries new to the list this year, and sharp divisions among the panel of international experts making the selections, this edition marks a pronounced departure from previous Power 100s.
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Title: October 2009
Does Hirst's return to painting (with his own hands) mark a new seriousness or just a midcareer crisis? ArtReview meets the man who "took all the money out of the artworld".
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Title: September 2009
How does Jeff Koons do it to me? Mark Rappolt wonders why he’s fallen under the American’s spell.
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Title: Summer 2009
The only person on the planet to have been awarded both the Turner Prize and the Caméra d'Or (for best first feature at the Cannes film festival) is also representing Britain at the 53rd Venice Biennale. We speak with him about his oeuvre.
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Title: May 2009
Wary of ending up playing a supporting role in one of Fischli & Weiss’s ‘scenarios’ when we met up with Switzerland’s most famous contemporary artist duo for an interview, we opened our questioning with all guns blazing.
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Title: April 2009
Cytter conceives, writes, casts, shoots and edits her art videos in a matter of days, and then (usually) just chucks them onto YouTube. We look very closely at her Les Ruissellements du Diable (2008), a film whose two characters may not exist apart from in each other's obsessive, desiring imaginations.
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Title: March 2009
ALEX KATZ: One of the postwar era's most important figurative painters talks with Mark Rappolt about greatness, influence and the passion that keeps him going. FUTURE GREATS: Our panel of artists, critics and curators nominate the artists they think are going to make it big in the coming year.
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Title: January and February 2009
GLENN LIGON: During the past two decades Ligon has developed a practice that addresses the politics of race and sexuality with conceptual verve and confrontational panache. His output has not only famously digested the work of others - sources as varied as Richard Pryor, Jasper Johns and Gertrude Stein - but has often cannibalised itself. Here, a look at what comes next.
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