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Title: Summer 2010
Juergen Teller’s cousin Helmut tells all about growing up with the iconic photographer, whose 68-page magazine The Throne, the Robe, the Haircut is published with this issue of ArtReview.
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Title: May 2010
After four decades in which she has been more influential as a teacher than a practising artist, Phyllida Barlow's anarchic, spontaneous, antimonumental sculptural assemblies are finally, deservedly, finding the limelight. By Oliver Basciano
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Title: April 2010
When Ming Wong refilms touchstones from cinematic history – his latest, Life and Death in Venice, is an adaptation of Visconti’s 1971 film – he plays all the starring roles himself, transforming the silver screen into a looking glass with multiple reflections. By Axel Lapp
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Title: March 2010
There's no easy harmony to Bharti Kher's work - collapsed elephants, colourful bindis and giant whale hearts - but therein lies a complicated, contradictory portrait of any human heart.
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Title: January February 2010
Is he a Homer for our times? This month legendary LA artist Paul McCarthy publishes Pig Island, a 164-page artist project produced in partnership with Havaianas and exclusively for ArtReview, documenting the past five years of his work (copies available to print subscribers and on the newsstand; all new print subscriptions will include Pig Island as a special gift, or single copies may be purchased here).
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Title: December 2009
In a special issue marking six decades in publication, ArtReview looks back at the history of the magazine, from black-and-white tabloid newspaper to today’s glossy edition, focusing on key movements, artists and critics (among them Lawrence Alloway, Reyner Banham and Peter Fuller) from each decade and including reproductions of some of the best articles. The first issues of ArtReview (or Art News and Review, as it was then titled) featured artists’ self-portraits on the cover. In tribute to this, the anniversary issue features a portfolio of self-portraits by artists, photographers and critics who have contributed to the magazine over the last four years. We also focus on the evolving role of art magazines more generally, looking back at the past 60 years and speculating on the role art magazines may play in the coming decades.
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Title: November 2009
ArtReview’s 2009 guide to the most powerful people in contemporary art comes on the heels of a year of extraordinary financial stress. Previous No. 1s have plummeted, and a new generation of highly networked, flexible, globetrotting curators is bubbling up. With almost a third of entries new to the list this year, and sharp divisions among the panel of international experts making the selections, this edition marks a pronounced departure from previous Power 100s.
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Title: October 2009
Does Hirst's return to painting (with his own hands) mark a new seriousness or just a midcareer crisis? ArtReview meets the man who "took all the money out of the artworld".
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Title: September 2009
How does Jeff Koons do it to me? Mark Rappolt wonders why he’s fallen under the American’s spell.
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Title: Summer 2009
The only person on the planet to have been awarded both the Turner Prize and the Caméra d'Or (for best first feature at the Cannes film festival) is also representing Britain at the 53rd Venice Biennale. We speak with him about his oeuvre.
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