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Title: May 2012
‘This project by SUPERFLEX published on pages 81 to 100 is a result of the Contract published on the front cover of this edition of ArtReview. ‘SUPERFLEX has exercised its “editorial right” to publish the Settlement Agreement entered into with Art Review Limited 14/03/2012 and its enclosures.
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Title: Hong Kong 2012
How have recent social and political developments in mainland China affected the Country's art scene? By Simon Kirby
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Title: ArtReview: April 2012
‘For some academically inclined people, television is the opposite of art – fast, unthinking entertainment led by audience figures and dubious trends. Gillian Wearing, on the other hand, quite comfortably claims to watch a lot of TV.’ Sally O’Reilly interviews Gillian Wearing on the occasion of her major midcareer retrospective at London’s Whitechapel Gallery
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Title: ArtReview Design 2012
The first in a new series of supplements focusing on practices that are discrete from but related to art, AR:D is a 36-page standalone publication.
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Title: ArtReview March 2012
ArtReview’s eighth annual Future Greats special issue, created in association with EFG International, is, well, the most international yet. Beatrix Ruf, Mary Heilmann, Willem de Rooij, Joanna Warsza, Elena Filipovic, Boris Ondrei?ka, Joanna Mytkowska and Christine Tohme, to name a few...
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Title: ArtReview: January and February 2012
‘Gates instinctively knew that places that need but can’t possibly afford culture today provide contemporary art with something it’s been sorely lacking: purpose.’ So writes Christian Viveros-Fauné in ArtReview’s January/February cover story on Chicago artist, urban planner, musician, historian and storyteller Theaster Gates.
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Title: ArtReview: December 2011
‘The larger thrust of Singh’s gaming with time and space is an absolute, though not negative, refutation of the idea of human progress’, writes Martin Herbert in ArtReview’s December cover story. From The Marque of the Third Stripe, Singh’s breakthrough work from 2008, to an alternative creation myth the artist is currently writing as a play featuring the Nesquik chocolate bunny and a character named Charles Ray, ArtReview looks at a difficult-to-categorise body of work.
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Title: ArtReview: Multiple
is a 50-page introduction and guide to collecting art made in series, from prints and photography, to sculpture, design objects and bookworks.
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Title: November 2011
The tenth annual ranking of the contemporary art world’s most powerful players returns to ArtReview. More than just a list of individuals, the Power 100 documents the world of influences shaping the art that we see.
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Title: October 2011
Tacita Dean discusses everything but her plans for the Tate Turbine Hall – an oblique approach to the subject at hand that mirrors much of her filmwork. By Sally O’Reilly ArtReview grapples with the descriptive ‘prescient’ in addressing the provocations of vandalism, destruction and looting offered up by Josephine Meckseper’s vitrines. By Jonathan T.D. Neil Rashaad Newsome headlines the Marlborough Gallery’s ambitious new programme for its Chelsea branch. By David Everitt Howe Los Angeles rolls out Pacific Standard Time and declares: an art capital is born. By Andrew Berardini
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